{"title":"All Modules","description":"","products":[{"product_id":"geiger-counter-eurorack","title":"Geiger Counter Eurorack","description":"\u003cp\u003e\u003cstrong\u003eNOW SHIPPING IN BLACK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDigital Destruction for Eurorack\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOur flagship Geiger Counter guitar pedal turned Eurorack module. Added features include direct input to bypass the gain and tone circuits and CV control over every parameter. The Eurorack Geiger Counter is fully DC coupled and will accept audio and CV signals. Run a slow LFO into the direct input, tweak the wave table knob and see what happens!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003cspan class=\"boldred\"\u003eThe Controls\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cspan class=\"boldred\"\u003e\u003c\/span\u003e\u003cstrong\u003eGain -\u003c\/strong\u003e Low settings provide clean tones with no distortion at all, while high settings will brickwall your signal for great sustain. Use the Gain control as a coarse setting for getting the desired tone from the selected wave table.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone -\u003c\/strong\u003e The Geiger Counter's tone control blends muffled low-mids with chimey and clear upper mids and highs providing a very large range of sounds in junction with the Gain. All the way down and the sound is muffled and grungy with little upper harmonic content. The middle range is smooth and full bodied. The top range cuts the lows completely for only upper harmonic content. Use the Tone to fine tune the sound of the wave table.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"boldyellow\"\u003eTone Enable\/Disable - \u003c\/span\u003e\u003c\/strong\u003eThis switch removes the tone control from the preamp circuit. The tone control sucks some volume from the gain, and this allows the pure ultra hot signal to go directly into the Wave Table. If a very clean tone is desired, set to Disable and adjust the gain to get the right amount of breakup. For most wave tables, disabling the Tone will produce completely different sounds by brickwalling to the extremes of the tables faster.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"boldyellow\"\u003eDirect In\/Level - \u003c\/span\u003e\u003c\/strong\u003eThe direct input allows a signal to be injected directly to the Geiger Counter's digital heart and bypassing the preamps coloration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"boldyellow\"\u003eSample Rate -\u003c\/span\u003e \u003c\/strong\u003eControls the length of the samples your signal is converted into. Full up and the Geiger Counter samples faster than a CD. Dial it down a little and you'll lower the fidelity and frequency response, adding overtones and difference frequencies. Down a little produces some very nice chimey clean tones. Down more and higher notes disappear into difference frequencies, all the way down to 280Hz. The sample rate is sort of like a flange whammy.\u003c\/p\u003e\n\u003cp\u003eWhen the LED is Red, the Sample Rate is in fine mode where the range is limited to the upper end.\u003c\/p\u003e\n\u003cp\u003eThe CV input and attenuator are only active when a cable is plugged into the CV jack. When CV controlled, the Sample Rate knob selects the center frequency about which the CV signal moves. When the LED is Green, the Sample Rate knob is logically ANDed with the CV signal, producing some interesting sounds as the CV changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"boldyellow\"\u003eBit Depth -\u003c\/span\u003e\u003c\/strong\u003e This controls the finer details of the signal. All up and your signal is represented by the full 8 bits. Each step down cuts the resolution in half, adding quantization error distortion, all the way down to 1 bit making a nasty square wave from a once clean tone. This produces a lo-fi gated distortion sound.\u003c\/p\u003e\n\u003cp\u003eThe LED when Green engages Mask mode where your signal is logically ANDed to the 8 bit number produced by the Bit Depth knob. This produces uneven gaps in your signal for some interesting distortion sounds.\u003c\/p\u003e\n\u003cp\u003eThe Bit Depth CV and level control is only active when a cable is plugged into the Bit Depth CV input. The Bit Depth knob then controls the center frequency. However, unlike the Sample Rate control, the bit depth can wrap around the edges of the control if the CV signal is larger than the range allows for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"boldyellow\"\u003eWave Table -\u003c\/span\u003e\u003c\/strong\u003e This knob and display select the wave table to run your signal through. The wave table stage takes your signal and destroys it with math. This produces some incredible sounds. The wave tables are organized so that a more extreme version is typically found one up from the current one. There are 252 wave tables in all, each with different harmonic content.\u003c\/p\u003e\n\u003cp\u003eThe display is in HEX, displaying the numbers 0-9 and the letters A-F. Don't be alarmed, it actually makes remembering your desired wave table easier! The wave table is remembered when the pedal is turned off.\u003c\/p\u003e\n\u003cp\u003eThe Wave Table CV input is similar to the Bit Depth's. The CV signal is only active when a cable is plugged in. The Wave Table will wrap around the end points 00 and FB. The center is set by the WaveTable knob. \u003c\/p\u003e","brand":"WMD","offers":[{"title":"New - Black Panel","offer_id":40715283693649,"sku":"062-0081","price":339.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/geiger-counter-eurorack-module-822440.jpg?v=1705951015"},{"product_id":"quad-anti-aliasing-filter-qaaf","title":"Quad Anti Aliasing Filter (QAAF) (Silver)","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThese last 3 modules have silver panels. I have black panel kits that I can ship from another warehouse if you want, please send me a note on the order or an email!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e4 independent filters in one seamless module\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe WMD Quad Anti Aliasing Filter (QAAF) was conceptualized as the first expansion for the Phase Displacement Oscillator.\u003c\/p\u003e\n\u003cp\u003eIt is designed to eliminate aliasing and stair-step distortion from the Digital to Analog converters. We opted to make this a separate module because it is useful by itself as well as coupled with the PDO.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOur 4-pole filters\u003c\/li\u003e\n\u003cli\u003eChannel to Channel Freq +-0.5%\u003c\/li\u003e\n\u003cli\u003eSwitched Capacitor Design\u003c\/li\u003e\n\u003cli\u003eButterworth Response Curve\u003c\/li\u003e\n\u003cli\u003eCV Input\u003c\/li\u003e\n\u003cli\u003eFrequency Offset Knob\u003c\/li\u003e\n\u003cli\u003eClock Input\/Output\u003c\/li\u003e\n\u003cli\u003eMix Output\u003c\/li\u003e\n\u003cli\u003eLow-Frequency Limit Jumper\u003c\/li\u003e\n\u003cli\u003e4 HP\u003c\/li\u003e\n\u003cli\u003eCompletely Analog\u003c\/li\u003e\n\u003cli\u003eGreat for Pre \u0026amp; Post Filtering\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/Quickstart.pdf?13723871798609552331\" title=\"WMD QAAF Quad Anti Aliasing Filter MAnual\" style=\"line-height: 1.5;\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ePDF MANUAL\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/PDOMK2ConnectionsGuide.pdf?1442570493784805961\" title=\"qaaf quad anti aliasing filter expansion pdo mkii mk2 phase displacement oscillator vco\"\u003e\u003cstrong\u003ePDO EXPANSION CONNECTION GUIDE\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D8cOdEsa_QU\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/center\u003e\u003ccenter\u003e\u003cstrong\u003eControls and I\/O\u003c\/strong\u003e\u003c\/center\u003e\n\u003cp\u003e\u003cspan class=\"boldgrey\"\u003eCV Input\u003c\/span\u003e - This input is roughly calibrated to 1v\/octave. It drives a vactrol that will cause the QAAF to open quickly and close slowly.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"boldgrey\"\u003eFreq Knob\u003c\/span\u003e - This knob controls the cutoff directly or acts as a bias\/level shift control for the CV input.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"boldgrey\"\u003eCLK\u003c\/span\u003e - This jack serves as a clock input or output, directly controlling the filter's frequencies at a ratio of 100:1. A jumper on the back (lower jumper) selects it's mode. Jump for clock output, leave open for clock input.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"boldgrey\"\u003eInputs 1-4\u003c\/span\u003e - Audio Inputs, these are normaled from the expansion header going to the PDO. This normal is broken by plugging into these jacks.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"boldgrey\"\u003eOutputs 1-4\u003c\/span\u003e - These jacks are for each channel's outut.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"boldgrey\"\u003eMix\u003c\/span\u003e - This output is a sum of each channel's filtered input.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"boldgrey\"\u003eFrequency Limit Jumper\u003c\/span\u003e - This rear jumper (upper set of pins) will limit the low frequency cutoff to about 300Hz. This will stop the QAAF from producing aliasing noise itself as it's clock frequency will be limited to 30kHz. Jump for limiting, leave open to disable.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ccenter\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/center\u003e\u003ccenter\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: left;\"\u003ePower: +12V = 35mA; -12V = 35mA\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eSize: 4HP\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eDepth: 40mm.\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003e\u003cspan class=\"boldred\"\u003eEvery WMD product is warrantied for 12 months after purchase, but please contact us if you ever have problems. We will take care of you.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/center\u003e\u003ccenter\u003e\u003c\/center\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":9915906691,"sku":"062-0075","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/quad-anti-aliasing-filter-qaaf-discontinued-module-wmd-wmd-discontinued-expand-filter-732823.webp?v=1709016707"},{"product_id":"buffered-mult","title":"Buffered Mult","description":"\u003cp\u003e\u003cstrong\u003e- BUFFERED MULT IS NOW SHIPPING IN BLACK - \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eClear and simple, the way a mult should be. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThree channel buffered multiple. Each channel has a dual color LED indicating Green for a positive voltage, and Red for a negative voltage. Each channel is normaled to the next channel for a total of nine outputs from one input.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 Channels\u003c\/li\u003e\n\u003cli\u003eDual Color LED for +\/- voltage\u003c\/li\u003e\n\u003cli\u003eEach channel normalled to the next for a total of nine outputs \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower: +12V = 30mA; -12V = 30mA\u003c\/li\u003e\n\u003cli\u003eSize: 4HP\u003c\/li\u003e\n\u003cli\u003eDepth : 25mm\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"boldred\"\u003eEvery WMD product is warrantied for 12 months after purchase, but please contact us if you ever have problems. We will take care of you.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Black Panel","offer_id":41379047211089,"sku":"062-0040","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/buffered-mult-module-wmd-wmd-eurorack-utility-black-panel-985234.webp?v=1738036768"},{"product_id":"mscl","title":"MSCL","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eStereo analog compressor in 4hp\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMSCL\u003c\/strong\u003e is a stereo compressor in 4 hp designed for your master bus to help \"glue\" your mix together. Inspired by the DBX \"Over Easy\" style compressor, it features independent attack and release knobs, output gain, and an all-in-one knob function for compression which decreases threshold, increases gain and ratio all with one turn.  Limit Switch allows MSCL to act more like a peak limiter. The threshold switch lets you compress signals of different amplitudes. It also features a side chain input for classic ducking sounds on stereo tracks. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComp knob:\u003c\/strong\u003e adjusts makeup gain, threshold, ratio simultaneously.\u003c\/p\u003e\n\u003cp\u003e      - \u003cspan\u003e 1.25:1 to infinite:1 ratio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAttack Knob:\u003c\/strong\u003e Controls how fast the compressor will react to incoming transients\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        Attack speed: 0.15ms\/dB to 0.1s\/dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRelease Knob:\u003c\/strong\u003e Controls the speed in which the compressor will release.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e        Release speed: 0.6ms\/dB to 4s\/dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGain Knob: \u003c\/strong\u003eAdds up to +-35dB on the output\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eThreshold Switch: \u003c\/strong\u003e Changes the threshold rainge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e       Three ranges (Left to Right) +5dBu, -4dBu, -15dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLimit Switch:\u003c\/strong\u003e  Limits the comp knob's makeup gain. Makes the MSCL operate more as a peak limiter.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e       Three selections (Left to Right): Inf, 9dB, 3dB\u003c\/span\u003e \u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":33469733964,"sku":"062-0063","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/mscl-module-534648.jpg?v=1705193682"},{"product_id":"arpitecht","title":"Arpitecht","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eVoltage Controlled Melodic Inspiration\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSimply put, Arpitecht is a voltage controlled Quantizer and rhythmic arpeggio generator.  As on\u003cspan\u003ee of our most musical modules to date, Arpitecht is designed to be an inspiring tool for the modular musician.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e With Arpitecht, you can create intricate melodies that span 8 octaves, imply chord changes, instant acid basslines, evolving generative sequences, and, using the Triad expander, polyphonic chord generation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eArpitecht features 16 scales, each with a unique set of \"note masks\" offering hundreds of note combinations with the ability to dial in via knobs on the front panel or CV. 32 rhythm patterns and 32 slide patterns all with CV control let you feed a static clock into it and get unique, evolving patterns of gates and note changes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/wmdevices.com\/products\/arpitecht-triad\"\u003eTriad\u003c\/a\u003e expander module allows you to create uniquely voiced chords in the same key underneath your arpeggios. \u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":33614194508,"sku":"062-0013","price":369.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/arpitecht-module-468118.jpg?v=1705193620"},{"product_id":"arpitecht-triad","title":"Arpitecht: Triad","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eExpansion module for the Arpitecht\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA companion module to \u003ca href=\"https:\/\/www.wmdevices.com\/products\/arpitecht\" data-mce-href=\"https:\/\/www.wmdevices.com\/products\/arpitecht\"\u003eArpitecht\u003c\/a\u003e, Triad sends out three static voltages to be used with three oscillators in order to create chords underneath your Arpeggios. Triad connects to the back of Arpitecht via included ribbon cable and will adhere to the scale and transpose information set by it's master.  \u003c\/p\u003e\n\u003cp\u003eTriad knob and CV input set different combinations so your chord can be completely unique, while still in key with your arpeggio. Inversion switch and CV input allow you to select three different chord voicings easily.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cstrong\u003eTriad Knob: \u003c\/strong\u003eSelects the 3-note combination sent via CV.  Becomes an offset with CV.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cstrong\u003eInversion Switch: \u003c\/strong\u003e Selects which inversion of the chord the Triad will play. Set at 0 for use with CV as it will \"take over\".\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eJacks:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cstrong\u003eNote 1,2,3: \u003c\/strong\u003eCV outputs for use with 1V\/Oct inputs on 3 oscillators.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cstrong\u003eNew: \u003c\/strong\u003eThis output sends a trigger each time a new chord is made\/selected.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cstrong\u003eInv: \u003c\/strong\u003eCV input for the inversion selection.  Accepts 0V to +5V.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e       - Thresholds for 1st and 2nd inversions are 1.25V and 2.5V respectively.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-style=\"text-align: left;\"\u003e\u003cstrong\u003eTriad: \u003c\/strong\u003eCV input for Triad selection.  Accepts 0V to +5V. \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":33894579532,"sku":"062-0082","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/arpitecht-triad-module-815108.jpg?v=1705193621"},{"product_id":"chimera","title":"Chimera","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWMD's first percussion synthesizer module for Eurorack\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHumanistic shakers, drum machine tambourines, laser guns, minimal techno offbeats, giant-robot movie sound design, etc. It's all yours with Chimera (kai-meer-ah).\u003cbr\u003e\u003cbr\u003eFirst, we recorded samples of different metallic hits to create the sonic signatures that we call Surfaces. The sources include tambourines, sleigh bells, drill bits, wrenches, shell casings, coins, chains, stomp box enclosures and about 50 eurorack panels from an order that came damaged from our supplier.  Unlike it's younger sibling, \u003ca href=\"https:\/\/wmdevices.com\/collections\/eurorack-modules\/products\/fracture\" title=\"WMD Fracture Multi-Particle Percussion Clap Eurorack Module\"\u003eFracture\u003c\/a\u003e, Chimera uses impulse rich sonic signatures that have lots of detail and long tails to create rich, detailed, shaker like sounds.\u003cbr\u003e\u003cbr\u003eSecond, we built a proprietary granular synthesis engine around the sonic signatures with the goal of making a module that could sound like a human hitting and shaking a tambourine. With the fundamentals finished, we tweaked the control ranges, built the post-engine effects, and bomb-proofed the hardware.\u003cbr\u003e\u003cbr\u003eFrom there we pushed and polished the engine and user experience, squeezing every juicy drop out of 8HP. \u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":45852095052,"sku":"062-0003","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/chimera-module-549131.jpg?v=1705193622"},{"product_id":"fracture","title":"Fracture","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMulti-particle crowd percussion synthesizer\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.\u003c\/p\u003e\n\u003cp\u003eIt all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.\u003cbr\u003eUnlike our other percussion module, \u003ca title=\"WMD Chimera Metallice Percussion Tambourine Synthesizer\" href=\"https:\/\/wmdevices.com\/products\/chimera\"\u003eChimera,\u003c\/a\u003e which uses impulse rich samples as it’s tonal center, Fracture uses single impulse samples like claps, snaps, ping pong balls, opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how “tight” your virtual clappers are to playing together.\u003c\/p\u003e\n\u003cp\u003eOur goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":1662111907852,"sku":"062-0051","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/fracture-module-302933.jpg?v=1705193680"},{"product_id":"metron","title":"Metron","description":"\u003cp\u003eMetron is a 16-channel trigger and gate sequencer designed around one idea: live performance. Your sequencer should keep up with you on stage, not the other way around.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eMost trigger sequencers make you choose between deep programming and playability. We didn't want to. Metron's button matrix shows you four channels at a time with fast view switching, or zoom into a single track and see 64 steps at once. Patterns run up to 256 steps, and every channel can have its own length — dense polymetric webs are a few button presses away, not a menu dive.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eEverything about Metron is built for non-stop play. Five variations per pattern are instantly recallable and editable while another is playing — preview, edit, and cue the next section of your set without the audience ever hearing a pause. The FX\/Fills section puts momentary fills, rolls, mutes, and manual gates under your fingers, plus custom fill patterns for transitions you've designed in advance. Per-step probability, group probability, burst ratchets, step looping, and random pattern generation keep patterns evolving all night — as much or as little as you want.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eImprovising new rhythms is just as immediate: tap patterns in live with quantized recording from the buttons or an external source, and use the two assignable CV inputs to put any parameter under voltage control. The internal clock has swing, sessions save to SD, and you can load entire new patterns from memory without stopping the clock — set-length performances from one module.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWhen you're ready for more, Metron grows with your live rig. \u003ca href=\"voltera\"\u003eVoltera\u003c\/a\u003e adds four bipolar CV tracks in 4HP — stack up to 16 for 64 lanes of melody and modulation sequencing from one performance interface. \u003ca href=\"axxent\"\u003eAxxent\u003c\/a\u003e adds accent dynamics to your gates, and MIDI Preset mode sends program changes the CV bus.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eFirmware updates driven by user feedback have kept Metron sharper every year since launch.\u003c\/p\u003e\n\u003ch4 class=\"clear\"\u003e\u003cstrong\u003eManuals:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/accessible-music.net\/eurorack\/wmd\/metron\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eAccessible Music Guide\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/drive.google.com\/open?id=19SJKc3DWMwIK9bK11D7UL5IZRpzzhhgB\"\u003eMETRON MANUAL JAPANESE \u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"clear\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/MetronVoltera_BookSpreads.pdf?373\" title=\"wmd metron advanced trigger gate sequencer manual eurorack\" target=\"_blank\"\u003ePDF MANUAL\u003c\/a\u003e (Updated for Voltera!)\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":12475685208145,"sku":"062-0099","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/metron-module-wmd-wmd-eurorack-performance-sequencer-8014524.jpg?v=1767972667"},{"product_id":"volt","title":"Volt","description":"\u003cp\u003eNow shipping with black panels.\u003c\/p\u003e\n\u003cp\u003eVolt is a 4 hp eurorack module that is capable of producing precision offsets in increments of 1V at a time.  Originally designed as a test and calibration piece, use volt to calibrate oscillators and filters, an anything that needs a steady, static voltage reference.\u003c\/p\u003e\n\u003cp\u003eWith a range from -7V to +7V, the Volt can be used for calibration of analog and digital (CV controlled) oscillators over several octaves. \u003c\/p\u003e\n\u003cp\u003eAs for a performance tool, Volt can be used to offset V\/Octave signals that are being used to control oscillators and other tone generators.  Is your oscillator missing a quick octave select switch? Use Volt!  Use the buttons to manually shift octaves or use the dedicated gate inputs to sequence it up and down.  This is great for super simple octavy bass lines.\u003c\/p\u003e\n\u003cp\u003eClick both buttons or send gates to both inputs at the same time to reset back to zero.\u003c\/p\u003e\n\u003cp\u003eFeatures include:\u003c\/p\u003e\n\u003cp\u003e- 3 inputs\u003c\/p\u003e\n\u003cp\u003e- 3 outputs\u003c\/p\u003e\n\u003cp\u003e- Dedicated up and down buttons\u003c\/p\u003e\n\u003cp\u003e- Dedicated up and down Gate inputs\u003c\/p\u003e\n\u003cp\u003e- \"Set zero\" to choose an offset to represent home bass.\u003c\/p\u003e\n\u003cp\u003e Volt is only 4hp and 30mm deep.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":12477556949073,"sku":"062-0078","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/volt-module-wmd-wmd-eurorack-performance-utility-387207.jpg?v=1738252964"},{"product_id":"crucible","title":"Crucible","description":"\u003cp\u003eCrucible = Molten Chalice \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCurved Metal and Cymbal Synthesizer\u003c\/p\u003e\n\u003cp\u003eFeel the sizzle as you harness the energy of liquid metal. Forge your sonic desires, and rain hot fire onto the eardrums of your listeners. Cymbals, gongs, bells, and sheet metal are the territory of Crucible.\u003c\/p\u003e\n\u003cp\u003eHave you ever wanted to start with the smallest cowbell, and then CV it until it becomes a gong larger than the room you're standing in? Crucible makes this possible.\u003c\/p\u003e\n\u003cp\u003eBy utilizing classic digital synthesis blocks like delay and digital filters, Crucible can fully synthesize, in real time, sounds similar to thin struck pieces of metal.\u003c\/p\u003e\n\u003cp\u003eWe expose the engine to the user through parameters specifically chosen for their sonic resemblance to the \"parameters\" of a real drum kit cymbal.\u003c\/p\u003e\n\u003cp\u003eSize, Pitch, Tone, and Deform give the user the tools to shape their cymbal. The Excite knob allow the user to shape their exciter, completely changing Crucible's response. Finally, select where the exciter contacts the engine by triggering the EDGE and MID inputs, or trigger both to strike the \"bell.\"\u003c\/p\u003e\n\u003cp\u003eAll of this adds up to a module that is lively and energetic, completely mimicking the feeling of playing a real cymbal, while still incorporating WMD's \"New Sounds, Maximum Experience\" philosophy.\u003c\/p\u003e\n\u003cp\u003eMKI shown in pictures, MKII version is dual board design, which is easier to manufacture. There are no functional differences. \u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":22295577329745,"sku":"062-0108","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/crucible-module-260541.jpg?v=1705193622"},{"product_id":"axys","title":"AXYS","description":"\u003cp\u003ePronounced \"axis\", AXYS is two Stereo Crossfaders in 6hp.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStereo patching is becoming more common each day in the Eurorack Modular Synth System and we here at the shop are performing out a ton.  Over the past couple years we consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one.  AXYS was born from this need.\u003c\/p\u003e\n\u003cp\u003eEach crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control.  Control both crossfaders with one CV easily and decide how the Y will react to X's CV.\u003c\/p\u003e\n\u003cp\u003eEasily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other.  Use one channel for adding stereo effects and the other to dial up some nice parallel compression.  Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.\u003c\/p\u003e\n\u003cp\u003eAll analogue signal path keeps your tone intact and sounding the way you intended it to.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":23184435085393,"sku":"062-0098","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/axys-module-760634.jpg?v=1705194055"},{"product_id":"voltera","title":"Voltera","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eVoltera is the voltage expander for Metron, adding four bipolar CV tracks in 4HP — and turning your trigger sequencer into the complete performance brain of your live rig.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eWe designed Voltera to disappear into Metron's workflow. There's no second interface to learn and no second module to babysit on stage: Voltera's tracks are programmed and played from Metron's button matrix with the same fast, tactile immediacy as your drum patterns. Analog-style programming, digital accuracy.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eEach track has its own independent voltage range and quantize setting, so you can dial every lane to the parameter it's driving — one track playing a quantized bassline, the next sweeping a filter with unquantized voltage, all edited in real time while the sequence runs. Stepped voltage recording lets you capture moves as you make them, and random voltage generation keeps things evolving when you want surprises.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eVoltera is stackable: up to 16 on a single Metron for 64 lanes of CV sequencing from one performance surface. Start with melodies and modulation on four outputs, and grow into sequencing an entire system without ever leaving the interface you already know.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eYou must update your Metron's firmware for use with Voltera — get the update on the \u003ca href=\"metron\" class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\"\u003eMetron page\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/Voltera_Quickstart_Guide.pdf?v=1584559235\" target=\"_blank\"\u003eVoltera quickstart PDF\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"metron\"\u003eMetron Manual\u003c\/a\u003e for use instructions\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/accessible-music.net\/eurorack\/wmd\/voltera\/\" target=\"_blank\"\u003eAccessible Music Guide\u003c\/a\u003e\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":23746794979409,"sku":"062-0128","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/voltera-module-489778.jpg?v=1705193679"},{"product_id":"crater","title":"Crater","description":"\u003cp\u003e\u003cspan\u003eBest of both worlds, Crater is an analog\/digital hybrid bass drum that plays as hard as it kicks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe analog side is where crater gets it’s tone, it’s umf’ and it’s power. \u003c\/p\u003e\n\u003cp\u003eLike a 909 style kick drum, Crater’s analog section features a pitch envelope that ranges from snappy attacks, to lazer sounds, to disco toms.  1 volt per octave tracking and an amplitude envelope that  allows users to use Crater for classic 808 style hip hop bass lines as well as rolling techno kicks.  Speaking of rolling bass, Crater has a new feature we have yet to see on a dedicated kick drum module, which is the Sustain stage.  The sustain knob lets you dial in a sustain level that Crater will stay at as long as the gate is high.  Inspired by using samplers in “gate mode”, the sustain circuit lets you use gate length to sequence different kick lengths, while keeping your decay setting constant. This is perfect for getting multiple sounds from of one module.\u003c\/p\u003e\n\u003cp\u003eThe Digital side is where we feel Crater really becomes unique and ultra-useful in a live performance Eurorack system. \u003c\/p\u003e\n\u003cp\u003eThe “secret sauce” of kick drums is usually found in layering different sounds to create a drum that cuts through the mix in the high frequencies, while remaining powerful in the lows.  Many kicks you hear in dance music tracks are samples made from layering two or more sounds and we wanted to achieve this level of polished sound with our kick.  So, what we did was add in a digital section for the Attack side of the kick drum.  The Timbre knob lets you dial in different attack sounds we’ve created, inspired by classic drum machines, music we like, and sample packs we’ve used in the past.  The “Click Decay\" knob shapes the attack while adding a bit of delayed noise which simulates things in the room being affected by the kick such as loose lugs or a snare drum rattling near by.  This gives the kick more of a natural and acoustic feel to the sound.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":24151077879889,"sku":"062-0129","price":369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/crater-module-749675.jpg?v=1705193623"},{"product_id":"sl3kt","title":"SL3KT","description":"\u003cp\u003eSL3KT (pronounced \"Select\")  is a simple three-channel switch module for Eurorack Modular Synthesizers.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThree independent, two-way switches allow for users two select between different sources or destinations of both CV and Audio Signals. Useful for many tasks in a Eurorack system such as sequence selecting, CV selecting, boolean logic operations, group switching, group routing, gating, waveform mixing, and so much more!\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":31809290174545,"sku":"062-0136","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/sl3kt-module-566545.jpg?v=1705193679"},{"product_id":"axxent","title":"Axxent","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAxxent is the accent expander for Metron, adding 16 gate outputs in 4HP — and giving your performance the thing flat trigger sequences never have: dynamics.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAccents are what make a rhythm feel played instead of programmed. The loud hit that anchors the downbeat, the ghost note that gives a groove its swing — before Axxent, getting them out of Metron meant burning a second trigger track for every voice you wanted to accent. Axxent gives those tracks back. Each of its 16 outputs is tied directly to its matching Metron track, so accent programming lands exactly where you'd expect it, in the interface you already know.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eOn stage, that means dynamics you can play in real time: send accent gates to a second envelope for harder transients on the downbeats, push a slew or VCA for emphasis, or drive the accent input on your drum modules — all sequenced alongside your patterns, no extra programming surface, nothing new to learn mid-set.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAxxent connects over Metron's expansion bus and is easy to program the moment it's racked. One Axxent can be used per Metron.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eMetron needs a firmware update to support Axxent — get it on the \u003ca class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/wmdevices.com\/products\/metron\"\u003eMetron page\u003c\/a\u003e.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":31982787985489,"sku":"062-0152","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/axxent-module-515552.jpg?v=1705193620"},{"product_id":"time-warp","title":"Time Warp","description":"\u003cp\u003eThe acid style pitch slew effect has made it to Eurorack in a small easy to use package. You no longer need to dedicate more complicated modules patched in wacky ways to achieve this classic sound. Finally, a dual slew, with the right interface, at the perfect size.  Add some slide and smoothness to your patches on your own accord with Time Warp.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTIME WARP is a dual channel, gated slew module with some extra features that make a powerful and versatile addition to any Eurorack Modular Synthesizer System.\u003c\/p\u003e\n\u003cp\u003eIts unique, Gated Slew function allows users to add slew to any voltage signal at designated times by sending it a gate signal from a sequencer or similar source.  Switch it up with Invert Logic on the gate input, or use the switch as a real time performance tool for hands-on control over when the slew will take place.\u003c\/p\u003e\n\u003cp\u003eWith two modes of symmetry and a full wave rectifier on the input, Time Warp can function as 2 independent Slews, two A\/R Envelopes with tied controls, or even as an envelope follower, taking audio and turning it into a useful envelope signal.  CV control over the Rate of slew! Time warp puts all of that in a compact, 4hp package.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":31998470193233,"sku":"062-0153","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/time-warp-module-460924.jpg?v=1705193713"},{"product_id":"sclpl","title":"SCLPL","description":"\u003cp\u003eThe mix surgeon's best friend is now a powerful effect in your eurorack system.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSCLPL (pronounced SCALPEL) is a Stereo 5-Band Digital EQ \/ Morphing Filter module for eurorack modular synthesizers.  Use it to cut out problem frequencies on voices in your mix or to add pleasing enhancements to your stereo field.  \u003c\/p\u003e\n\u003cp\u003eDual Mono and Stereo Control Schemes make it an excellent addition to any WMD Performance Mixer Setup.  Add 4 SCLPL for 8 channels of EQ in 16HP.  Put a 5th on the Master Bus and you have the ultimate eurorack mixing setup!\u003c\/p\u003e\n\u003cp\u003eA simple user interface makes it a powerful tool for many use cases. It features 9 user-programmable preset slots that can then be \"morphed\" between seamlessly with CV or the Level knob in Morph Mode. \u003c\/p\u003e\n\u003cp\u003eEach frequency band is set independently with the Level, Q, and Frequency knobs, and a helpful LED display aids in knowing exactly what's going on at all times.  \u003c\/p\u003e\n\u003cp\u003eFrequency bands include a Low Shelf, 3 Mid-Range Peaking Bands, and a High Shelf.\u003c\/p\u003e\n\u003cp\u003eThe Highlights:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5 band EQ \/ Morphing Filter\u003c\/li\u003e\n\u003cli\u003eSimple and Easy-to-Program interface\u003c\/li\u003e\n\u003cli\u003e\"trim\" level adjustment for each preset\u003c\/li\u003e\n\u003cli\u003eVisual LED representation of the current status of each filter\u003c\/li\u003e\n\u003cli\u003eEach mid-range band can go from a broad cut, to a resonant peak\u003c\/li\u003e\n\u003cli\u003eLow and High Frequency Shelving\u003c\/li\u003e\n\u003cli\u003e9 user-programmable presets (18 in dual Mono)\u003c\/li\u003e\n\u003cli\u003eLow Noise Digital Audio Signal Path\u003c\/li\u003e\n\u003cli\u003e\"Morphing\" for unique filter sounds that you create!\u003c\/li\u003e\n\u003cli\u003eMono, Dual Mono, and Stereo Functionality\u003c\/li\u003e\n\u003cli\u003eBypass Switch for reference of wet vs dry\u003c\/li\u003e\n\u003cli\u003eBand Soloing for precision tuning\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":32128416645201,"sku":"062-0158","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/sclpl-discontinued-module-639529.jpg?v=1705193677"},{"product_id":"c4rbn","title":"C4RBN","description":"\u003cp\u003eC4RBN (pronounced \"Carbon\") is a 4\/2-Pole State Variable Filter with input saturation, output wavefolding, and more.  It features a wide range of character from nice and clean filter sounds to screaming, squelchy, acidic mayhem.  \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eC4RBN builds on WMD’s history with state-variable filters adding interface refinements and improved warm environment stability for live performance and beyond. A novel input saturation circuit plus the output wavefolder from WMD’s classic \u003ca href=\"https:\/\/wmdevices.com\/products\/synchrodyne\"\u003eSYNCHRODYNE \u003c\/a\u003efilter pair together to push the timbral flexibility to the next level. C4RBN is the building block to life in your eurorack.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":32160655048785,"sku":"062-0159","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/c4rbn-module-586521.jpg?v=1705193622"},{"product_id":"javelin","title":"Javelin","description":"\u003cp\u003eJavelin is the envelope we at WMD have always needed to make.  We took the best parts from our classic Multimode Envelope and combined them with the simplicity and convenience of an ADSR with integrated VCA.  We then took the tricks we have learned from live performance and use of other awesome synthesizers and put it all together to create what we truly believe is the ultimate Eurorack envelope.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJavelin starts out as a simple ADSR envelope.  We then added 3 level ranges, giving you control over the envelope's overall amplitude.  Next, 3 time ranges allow for quick switching of the feel of the envelope.  These ranges were carefully designed to work with each other, making the switch a fun and playable part of the interface.  Short and snappy, long and drawn out (max 88 minutes per stage with 5V in a stage's CV input), the Javelin will suit any style of music or playing style.\u003c\/p\u003e\n\u003cp\u003eExpression is key.  We wanted to make the most expressive, emotional sounding envelope we possibly could.  The addition of Accent and Choke inputs make for very interesting sequences that are just a couple gates away. \u003c\/p\u003e\n\u003cp\u003eThe Accent behavior is incredibly unique.  Multiple consecutive gates while the Accent input is high cause the envelope to climb a bit higher with each gate, causing whatever you are controlling to accent a bit harder on each next gate.  When controlling a filter, this creates a sound that can be personified with breathing, laughing, screaming, or crying, and is the key to the perfect, funky, acid style bass line. This behavior can also be disabled if you prefer a static Accent level.\u003c\/p\u003e\n\u003cp\u003eAs if that's not enough, the Accent input is actually a CV input which lets you use CV to effect the amount of accent with intention.  3 different accent ranges let you choose the maximum amount that the envelope will accent to.   Complete control!\u003c\/p\u003e\n\u003cp\u003eReset lets you stop the envelope in it's tracks with a gate signal.   This is great for using long envelope times for some steps and cutting them off for others without the need for another CV channel.  However, Attack and Release also have CV inputs can can be sequenced externally.  Release CV can even be routed to control Decay and Release simultaneously, a common control scheme in vintage style synthesizer envelopes.\u003c\/p\u003e\n\u003cp\u003eCombining all of these methods of control on Javelin let you pinpoint the sound you are after.  An absolute joy to work with. \u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":32160664879185,"sku":"062-0160","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/javelin-module-725872.jpg?v=1705193677"},{"product_id":"4tten","title":"4TTEN","description":"\u003cp\u003e4TTEN (pronounced either ATTEN or FOUR-TEN) is a four channel attenuator and offset generator.\u003c\/p\u003e\n\u003cp\u003eUse 4TTEN to attenuate any CV or audio signal by running through the ins and outs. \u003c\/p\u003e\n\u003cp\u003eA +5V voltage source is normalled to each input, making it a standalone offset when there is no cable patched into an input.\u003c\/p\u003e\n\u003cp\u003eEach channel is completely independent.  \u003c\/p\u003e\n\u003cp\u003eEver-so-useful in live performance, we designed this module with 4 sliders for easy maneuverability, visual feedback, and enjoyable to play interface. Make your eurorack modular synthesizer system more playable with 4TTEN!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*** 4TTEN's PCB is 113mm (4.45\") tall and may be a tight fit in some cases (TTA Z-Rails especially)***\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/4tten_Manual.pdf?v=1644859549\" target=\"_blank\"\u003e\u003cstrong\u003ePDF MANUAL\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e- 4 independent attenuators for Control Voltage and Audio signals\u003c\/p\u003e\n\u003cp\u003e- Performance friendly sliders \u003c\/p\u003e\n\u003cp\u003e- Can be used as 0 to +5V Offset\u003c\/p\u003e\n\u003cp\u003e- Comfortable fader caps from the Performance Mixer\u003c\/p\u003e\n\u003cp\u003e- Only 4 hp!\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":32261981175889,"sku":"062-0151","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/4tten-752270.jpg?v=1705193621"},{"product_id":"osd-or-sum-dif","title":"OSD (OR \/ SUM \/ DIF)","description":"\u003cp\u003e\u003cspan\u003eOSD, aka OR SUM DIF, is 3 independent blocks of useful utility in 4HP.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOSD is centered around combining voltage in useful ways. Audio, V\/Oct, and control voltage are at home in this utility. OSD offers a fully DC coupled signal path with precision components to make this happen.  High quality, configurability, and compact size ensure OSD will always find it's way into your patch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-mrkdwn__br\" data-stringify-type=\"paragraph-break\"\u003e\u003c\/span\u003e\u003cspan\u003e- Combine v\/Oct sequences with precision summing, or enable the the precision OR circuit for completely different results. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Mix two envelopes or an envelope and lfo using sum to create large accented voltages or combine with OR to keep the output  in the original range.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Crossfade between audio or control voltage using the potentiometer in block one. Setting DIF will invert the signal at the B jack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eWhat is OR, SUM, and DIF?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOR -\u003c\/strong\u003e Input voltages are compared and the higher of the two is passed to the output. \u003c\/p\u003e\n\u003cp\u003eFor example if A = 4V and B = 8V, the output will be 8V.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSUM -\u003c\/strong\u003e Input voltages are added together to create the output voltage. \u003c\/p\u003e\n\u003cp\u003eFor example if A= 3V and B=4V, the output will be 7V.  This clips at -10V and 10V.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIF -\u003c\/strong\u003e B voltage source is subtracted from the A voltage, producing an output of the difference between the two.\u003c\/p\u003e\n\u003cp\u003eFor example if A= 3V and B = 5V, the output will be 2V.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eControls \/ Configuration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlock 1\u003c\/strong\u003e - Sum, OR, or Difference of two inputs and effect the mix of the A input to the B input with the Knob.  The third input ORs with the result of the A\/B inputs. Not a precision channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlock 2\u003c\/strong\u003e - \u003cspan data-mce-fragment=\"1\"\u003eSum, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOR,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e or Difference of two inputs with high precision.  The third input ORs with the result of the A\/B inputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBlock 3\u003c\/strong\u003e - 3 input OR with high precision.  Mix gates or CV from three sources for some wild results.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":39312547676241,"sku":"062-0170","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/osd-or-sum-dif-module-286847.jpg?v=1705193677"},{"product_id":"kraken","title":"Kraken","description":"\u003cp\u003e\"We're in an Octopus' Garden\".\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKraken is a physical modeling snare drum module for eurorack modular synthesizers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNo samples, 100% digital synthesis with the ability to make realistic snare drums of all sizes, shapes, materials, and colors.  Similar to Crucible, Kraken uses a network of classic synthesis blocks like delay, digital filters, and noise to create a very unique resonator.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Crack-in\" to the snare drum sound you're into most by adjusting parameters that corelate to physical drum properties such as shell type and size, head tightness, amount of overtone, and how tight and bright the snares sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou like snare samples? Great!  Although Kraken does not use any recordings to generate sound, you can get a perfectly repeatable snare sound, similar to a sampler by using digital noise to generate the sound of the \"snares\".  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWant your snare to sound more realistic?  Try analog noise to imitate the subtle difference of a drummer hitting the snare slightly different on each hit.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePerfect Pitch... kind-of.  Optional pitch shifter on the output widens the sonic palette as well as the frequency range, while imparting a unique character of it's own, reminiscent of old school samplers and pitch shifter pedals.  Pitch knob and CV input take control of the pitch shifter when in this mode.\u003c\/p\u003e\n\u003cp\u003eWreck the ship with the Wreck switch and CV input.  Three different distortion characters push the envelope that much further with an analog style gained up hard clipping, wavefolding, and bit depth reduction.  At some shell settings, gain gets loud  like running a snare mic through a distortion pedal. The wave folder sounds like over-the-top compression with lots of high frequency content,.  The bit depth reduction setting lets you dial in a desired amount of \"vintage\" digital artifacts.  Moving the switch to these different modes is only a preview.  Use the Wreck CV input for the most control and variety in sound.\u003c\/p\u003e\n\u003cp\u003eKraken is begging to be sequenced.  Use the Head, Rim, and Accent gate inputs to start your basic rhythm of hits, sidesticks, rimshots and accented sounds.  Sequence the Velocity input with a variable CV source to bring the pattern to life and put the drummer behind the kit.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePair with \u003ca href=\"https:\/\/wmdevices.com\/products\/crater\"\u003eCrater\u003c\/a\u003e, \u003ca href=\"https:\/\/wmdevices.com\/products\/fracture\"\u003eFracture\u003c\/a\u003e, \u003ca href=\"https:\/\/wmdevices.com\/products\/chimera\"\u003eChimera\u003c\/a\u003e, and \u003ca href=\"https:\/\/wmdevices.com\/products\/crucible\"\u003eCrucible \u003c\/a\u003efor an inspiringly flavorful set of drums for your Eurorack Modular Synthesizer.\u003ca rel=\"noopener noreferrer\" title=\"WMD Kraken PDF Manual\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/KrakenManual_v0.1.pdf?v=1627940643\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":39454630019153,"sku":"062-0171","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/kraken-module-127559.jpg?v=1705193678"},{"product_id":"subway","title":"Subway","description":"\u003cp\u003eIntroducing Subway, an 8 input, 1 output scanning crossfader in 6 HP.  Transit for your signals!\u003c\/p\u003e\n\u003cp\u003e8 inputs and correlating on\/off switches let you decide how many signals are a part of the line.  Then, smoothly fade from one signal to the next using the knob or an external CV source. \u003c\/p\u003e\n\u003cp\u003eSubway is compatible with both audio and control voltage so it can be used for creating morphing waveshapes out of wavetables, complex modulation from multiple CV sources, as a simple waveshape selector for oscillators with multiple outs, and lots more. Find new sonic territories by combining multiple sounds and cycling through them at audio rate.  Meticulously route CV to create preset destinations throughout a set.\u003c\/p\u003e\n\u003cp\u003eThe journey is yours, let Subway take you there.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eScan Knob - \u003c\/strong\u003eMaster control over which input is going into the output. Knob becomes offset when CV is applied to Scan CV input.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eEnable Switches - \u003c\/strong\u003eControl which input is active. Off LED means the input is removed from the output selection. Dim LED means the input is active, but not yet selected.  Bright LED means the input is currently being sent to the output.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eCurves: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eSubway has three different curves if you hold buttons 1-3 on startup and then release. Button 1 sets linear, Button 2 sets exponential, and Button 3 sets equal power.\u003c\/span\u003e\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":40044694470737,"sku":"062-0180","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/subway-module-130806.jpg?v=1705193677"},{"product_id":"orion","title":"Orion","description":"\u003cp\u003e\u003cstrong\u003eLIMITED RUN OF 600! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet your Phaser to \"FUN\", and proceed with confidence! \u003c\/p\u003e\n\u003cp\u003eOrion is an analog Phaser effect module for eurorack modular synthesizers in 4HP. It can be used in mono or as a mono to stereo effect, creating cosmic swirls of spaced out texture. An instant bypass switch allows for hands-on engaging of the sound.  The number of stages can be set by the user and the resonance, depth, rate, and frequency-center controls make for quick dialing in of the perfect effect.  \u003c\/p\u003e\n\u003cp\u003eOrion features it's own internal LFO that ranges from mild to wild, but if that's not enough, use the Freq CV input to control the effect from an external effect.  A 100% analog audio path means a purely unique sound that is both warm and smooth.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePole Select \/ Bypass Switch:\u003c\/strong\u003e Tap to engage and disengage the filter effect (LED on means Engaged).  Hold to switch the amount of filter poles, increasing how dramatic the effect will be.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo switch: \u003c\/strong\u003eTapping this switch engages the mono to stereo effect. If not engaged, both outputs will be identical.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFreq Knob:\u003c\/strong\u003e Controls the center frequency of the phaser's filters. Move this manually and park it to find a fixed sound or modulate around this frequency with the internal LFO or external CV source to enhance movement in the effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDepth knob: \u003c\/strong\u003eControls the amount of modulation that the internal LFO will have on the movement of the filter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eResonance: \u003c\/strong\u003eControls the amount of feedback in the circuit, defining the character of the sound.  Just like a standard filter, resonanceis a buildup of gain around the center frequency, and will create a more \"ringy\" sound when pushed.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRate Knob: \u003c\/strong\u003eControls the rate of the internal LFO\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eFold\/Stereo:\u003c\/strong\u003e Multi-use button for enabling the wavefolder and stereo effect. Tapping this button will toggle the pre phaser wavefolder. Holding the button toggles the phaser stereo effect. The status of both effects are indicated by their coresponding LEDs.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":40044719571025,"sku":"062-0175","price":239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/orion-module-406496.jpg?v=1705193673"},{"product_id":"legion","title":"Legion","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA legion of waveforms awaits.  Endless possibilities ahead.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLegion is a new breed of analog oscillator with tons of individual waveform outputs, a host of useful CV inputs, and a few never-been-done-before analog tricks.\u003c\/p\u003e\n\u003cp\u003eFirst off, this oscillator means precision.  Built-in digital calibration means once you tune, you'll stay in tune. The tune knob can be switched between a fine and coarse mode, and can be locked out to protect against unintentional movement during a performance. It also features octave switches for quick movement between registers.\u003c\/p\u003e\n\u003cp\u003ePower in pairs.  Legion is great on it's own but thrives when it has a twin sibling in the case. Thru-zero linear FM keeps your fundamental in-tact while modulating it with another oscillator and onboard attenuator lets you dial in the amount.  Stay in-tune while adding harmonic content with the classic technique.  Thru-zero FM also works well with the saw wave output, adding more colors to your sonic palette.\u003c\/p\u003e\n\u003cp\u003eA separate exponential FM input with correlating attenuator allows for simultaneous \"wobble\" or could be used for more traditional FM effects, when that is desired and the easy tuning makes for lush. consistent FM sounds in a flash.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Alpha in the pack. In addition to the traditional waveforms commonly found in analog oscillators, Legion has a unique saw wave section. Inspired by the oscillator in the Alpha Juno synthesizer, we've added what we call \"windows\" to the saw wave output. A window is essentially a negative pulse in the center of the saw wave, creating an overtone to the classic waveforms sound. Use the switch to add more windows, creating a more complex high end.  Then, use pulse-width modulation to really bring this effect to life by increasing and decreasing the size of the windows with an external CV source such as an LFO. This effect really adds teeth to the waveform.\u003c\/p\u003e\n\u003cp\u003eIn addition to the above, Legion also has an output called Swarm, which is essentially an analog supersaw. For this output, we start with a saw wave and then use seven DAC LFOs to modulate the phase of multiple reset points within the original. What this does is create the illusion of multiple saws being stacked on top of eachother, slightly going in and out of tune with each other.  Control the intensity of the unison effect with the detune knob, and switch on up to seven LFOs with the Timbre switch for a powerful, detuned supersaw effect that remains 100% analog. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLegion also hosts a sub-oscillator with switchable octave and Saw, Triangle, Square, and PW waveforms, a first in Eurorack in that it also fully reacts to Thru-Zero FM! A Thru-Zero sub oscillator that's not just a square wave. \u003c\/p\u003e\n\u003cp\u003eThe oscillator was designed around the SSI2130 TZFM oscillator chip, with a ton of WMD designed peripherals, waveshapers, digital control, etc. We found that all the extra stuff used a ton of power, so this took some serious engineering work on the internal power supplies. The result is a module that uses very little power and thus stays cool and consistent in temperature, meaning that it's incredibly stable for tuning. Far better than any other oscillator we've designed, and we're well known for stable oscillators. The downside is that these power supply parts and special opamps are entirely unavailable due to the world wide semiconductor shortage. We secured enough parts for 600 Legions, and that's it. Get it while you can, there isn't another run planned. \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" title=\"WMD Legion Manual PDF\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/LegionManual_v0.1.pdf?v=1677887055\" target=\"_blank\"\u003ePDF MANUAL \u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOCT Switches - \u003c\/strong\u003eTranspose up or down by one octave with these buttons. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTune Knob- \u003c\/strong\u003eMaster tune over the oscillator's pitch. Push encoder to switch between coarse and fine tune, hold to lock tuning.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePW\/Detune knob - \u003c\/strong\u003eSet pulse width for Pulse outputs and waveforms with Windows\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePWM Knob- \u003c\/strong\u003eAttenuator for Pulse Width (PW) Input\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLIN FM knob - \u003c\/strong\u003eAttenuator for Linear FM input\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEXP FM knob - \u003c\/strong\u003eAttenuverter for Exponential FM input\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWindows Switch - \u003c\/strong\u003e Hold to select waveform, tap to cycle through number of windows. Left = Fewer, Right = More\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSub Oct Switch - \u003c\/strong\u003eControls the sub oscillator. Tap to select 1 or 2 octaves down. Hold for Waveform Selection\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSwarm Timbre Switch - \u003c\/strong\u003eCycle through amount of \"voices\" in the supersaw swarm\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":40044782157905,"sku":"062-0179","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/legion-discontinued-module-919163.jpg?v=1705193674"},{"product_id":"digital-vca-mkiii","title":"Digital VCA MKIII - Dual Zero-Crossing VCA and Polarizer","description":"\u003cp\u003eI've done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes. \u003c\/p\u003e\n\u003cp\u003eThe Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V. \u003c\/p\u003e\n\u003cp\u003eBoth sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes. \u003c\/p\u003e\n\u003cp\u003eLimited run of 410 units for Eurorack Modular Synthesizer systems. I won't be making more or doing another version in the future. \u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":40615013220433,"sku":"125-0002","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/products\/digital-vca-mkiii-dual-zero-crossing-vca-and-polarizer-module-wmd-wmd-eurorack-utility-vca-270777.jpg?v=1710942875"},{"product_id":"performance-mixer-mkii","title":"Performance Mixer MKII","description":"\u003cp dir=\"ltr\"\u003eThe Performance Mixer MKII is the center of your live rig. Eight stereo channels, real faders under your hands, and routing deep enough to run the entire show without leaving the case. Every channel is stereo with CV over pan, level, and both aux sends, so the mix becomes something you play instead of something you set and forget. An 8-layer board and a redesigned signal path drop the noise floor and channel bleed far below the original. Field-replaceable faders keep you gigging, balanced direct outs feed your DAW, and it scales to 24 channels as your rig grows.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eNine Years of Your Feedback\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eThe original Performance Mixer let people ditch the outboard mixer, keep their system patched while traveling, and actually find the kick in a dark room. Then you wrote us. Almost every suggestion we received is engineered into this unit.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWe showed an earlier MKII at Superbooth 2023. It was finished and could have shipped, but it was mostly the MKI with better manufacturing. The cost went up and the feature set didn't. So it went back to the bench for another year of redesign. This is that mixer: stereo throughout, quieter, more modular, and built to be serviced instead of shipped back.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eThe Channel Strip\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eStereo everywhere.\u003c\/strong\u003e Inputs, busses, auxes, and cue are all stereo. Patch Left only and it normals to Right for mono sources.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eGain with a clip LED.\u003c\/strong\u003e A −12 dB to +20 dB trim range takes line-level gear directly, and the LED lights 1 dB before the input stage clips, so you catch it before your audience does.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFaders that feel right.\u003c\/strong\u003e A smooth level curve for riding the mix live, with a yellow position indicator you can read at a glance.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSoft mute.\u003c\/strong\u003e One button press, no click, red LED confirmation.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003ePan or crossfade, per channel.\u003c\/strong\u003e Flip the toggle and the pan pot becomes a crossfader between the Left and Right inputs, summed dead center. Ideal for kicks and bass, and it lets you run two sources into one channel. CV sums with the pot on both modes.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFaders as VCAs.\u003c\/strong\u003e Switch Level CV from SUM to VCA and the fader becomes an attenuator for the CV input. SUM handles ducking and modulation; VCA turns the strip into a voltage-controlled mixer.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTwo stereo sends.\u003c\/strong\u003e AUX1 is always post pan\/fader. AUX2 switches pre or post and also runs in VCA mode.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCue and Bus.\u003c\/strong\u003e Hold CUE or BUS and tap a channel. The Bus LED cycles through master only, master plus bus, or bus only, so you can pull stems out of the main mix on the fly.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eGroups.\u003c\/strong\u003e Hold GROUP with a combination of buttons to toggle mute, bus, and cue across several channels at once. Or save eight full mute\/bus\/cue snapshots to the eight channel buttons and recall them with one hand mid-set, across the PM MKII and every connected Channels MKII.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eMaster Section\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMaster Insert\u003c\/strong\u003e sends the main mix out and back for compression or EQ (or our Bus Rider mastering module), while \u003cstrong\u003eMix In\u003c\/strong\u003e sums after the insert for effects you want left untouched. \u003cstrong\u003eAux Ret\u003c\/strong\u003e lands before the insert. \u003cstrong\u003eBus\u003c\/strong\u003e, \u003cstrong\u003eAux1\u003c\/strong\u003e, and \u003cstrong\u003eAux2\u003c\/strong\u003e all have their own stereo outs.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMstr Out\u003c\/strong\u003e is stereo balanced, with a 6-pin header behind the panel for Intellijel's balanced 1\/4\" outputs over a ribbon cable. The \u003cstrong\u003eLED VU meter\u003c\/strong\u003e reads the final bus pre-master pot. \u003cstrong\u003eCue\/Mix\u003c\/strong\u003e blends cue against main in the headphones, with level control and a 3.5 mm jack on the far left.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEverything is in phase.\u003c\/strong\u003e Every point on the panel and every rear header. Parallel effects and creative routing just work.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eBuilt to Stay in Service\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eChannel strips are identical, stereo, and replaceable by you. A spill or a worn fader means about 30 minutes with a T-6 driver, not a return shipment. The patchbay, power board, and master section are separate assemblies for the same reason. All jacks are grouped to the left, keeping cables off your controls and giving the knobs room across the full 3U.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eExpansion\u003c\/h4\u003e\n\u003cul dir=\"ltr\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Inserts\u003c\/strong\u003e connect to CHNL SRFR or Bus Rider with no patch cables.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDB25 MKII\u003c\/strong\u003e provides balanced line-level outs to your DAW. Choose any two headers per module: pre-fader 1–4, pre-fader 5–8, post-fader 1–4, post-fader 5–8, or mixes (Aux1, Aux2, Bus, Main). All five are live simultaneously.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Outs\u003c\/strong\u003e offer the same connectivity at modular level on 3.5 mm jacks.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePM Channels MKII\u003c\/strong\u003e adds four channels at a time, up to 24 total, with MIDI, groups, auxes, and direct outs flowing back to the mixer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePM MKII Returns\u003c\/strong\u003e adds three stereo returns with pre\/post Master Insert routing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003eExpansion headers use 2.0 mm shrouded connectors that cannot be hooked to power. No more blown opamps, no bent pins in shipping.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":40683569283153,"sku":"062-0182","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/performance-mixer-mkii-module-wmd-wmd-eurorack-mixer-performance-812745.jpg?v=1749158299"},{"product_id":"pm-channels-mkii","title":"PM Channels MKII - Standalone 4-channel Mixer and Expander","description":"\u003ch5\u003eNeed More Inputs? \u003c\/h5\u003e\n\u003cp\u003eAdd four channels at a time to your Performance Mixer MKII setup, or you can use the Channels MKII as a standalone four channel mixer. \u003c\/p\u003e\n\u003cp\u003eThe expansion is simple -- identical channels, just more of them. Four at a time, up to four Channels units, for 24 total stereo channels. \u003c\/p\u003e\n\u003cp\u003eA simple 16 pin 2mm pitch expansion cable is provided and is the only connection necessary. Units can be daisy-chained easily resulting in a clean setup. \u003c\/p\u003e\n\u003ch5\u003eSubmixing Reimagined\u003c\/h5\u003e\n\u003cp\u003eAdditionally, the outputs on Channels MKII still work when connected to the PM MKII. So you get a submix of AUX1, AUX2, and MIX available for whatever you may want to do, drum submixing, FX routing, etc. \u003c\/p\u003e\n\u003cp\u003eAnd more importantly, those submixes on Channels MKII can be removed from the main summing on the PM MKII. Allowing MIX, AUX1, AUX2 to be independantly isolated to just the outputs on Channels, or also sent to the main mix on the PM MKII. These routings can be saved\/recalled with Group Recall. \u003c\/p\u003e\n\u003cp\u003eThe routing status is indicated on the three LEDs below the patchbay. \u003c\/p\u003e\n\u003ch5\u003eNot Just an Expansion -- Standalone Operation\u003c\/h5\u003e\n\u003cp\u003eAs a standalone unit, you get three stereo outputs, MIX, AUX1, AUX2. The buttons are soft mutes. It's a robust four channel setup. \u003c\/p\u003e\n\u003cp\u003eThe \u003ca title=\"PM RETURNS\" href=\"https:\/\/wmdevices.com\/products\/pm-mkii-returns-3-additional-aux-returns-for-pm-mkii\" target=\"_blank\" rel=\"noopener\"\u003eRETURNS\u003c\/a\u003e module can be used with Channels to add 3x stereo returns to the MIX bus. \u003c\/p\u003e\n\u003cp\u003eFYI -- You can not connect  CHANNELS MKIIs together without a PM MKII. The summing, buttons, and control brain is in the master section of the PM MKII and the connection won't do anything. \u003c\/p\u003e\n\u003ch5\u003eRecording Outputs:\u003c\/h5\u003e\n\u003cp\u003ePre and Post fade headers are available on the rear for connection to the DB25 MKII. Each Chanels MKII will fill 1\/2 of a DB25 with the Pre or Post connections. The Mix, Aux1, and Aux2 are also available on a header. \u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":40683569643601,"sku":"062-0189","price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/pm-channels-mkii-module-wmd-wmd-eurorack-mixer-performance-927693.jpg?v=1749158319"},{"product_id":"pm-db25-mkii","title":"PM DB25 MKII - Balanced Output Pre\/Post Fader Expander","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eBalanced outputs for your Performance Mixer MKII\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003ePM DB25 MKII is an expander output for the MKII versions of the Performance Mixer and Channels. \u003c\/p\u003e\n\u003cp\u003ePre-fade and Post-fade connections are available for all channels. The DB25 has 16 outputs. All mixer channels are stereo, so one DB25 handles the main PM MKII (either pre or post), and the DB25 can handle 2x Channels (either pre or post).\u003c\/p\u003e\n\u003cp\u003eSimply connect the cable to the Pre or Post headers on the back of the PM MKII or Channels MKII modules to choose pre\/post. \u003c\/p\u003e\n\u003cp\u003eThe PM MKII has an additional header with both Aux Sends, Master Bus, and Submix Bus.\u003cbr\u003e\u003cbr\u003eConnect a DB25 cable of your choice to the front connector and then straight to your DAW or recording interface. \u003c\/p\u003e\n\u003cp\u003eFor use with original WMD Performance Mixer, \u003ca rel=\"noopener\" title=\"DB25 MKII conversion board for original performance mixer\" href=\"https:\/\/wmdevices.com\/products\/pm-db25-mkii-conversion-board-for-use-with-original-performance-mixer\" target=\"_blank\"\u003ean adapter board\u003c\/a\u003e can be added on. Please note that width behind panel is increased by 8mm when adapter board is added on. This may require some clever position in your case. The original Performance Mixer still only offers Pre Fader Outputs. \u003c\/p\u003e\n\u003cp\u003eFor information on how to multitrack record with the DB25 MKII, check out our \u003ca href=\"https:\/\/wmdevices.com\/blogs\/news\/wmd-performance-mixer-mk2-db25-expander-multitrack-recording-guide\"\u003eMultitrack Recording Guide\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":41388757712977,"sku":"062-0183","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/pm-db25-mkii-balanced-output-prepost-fader-expander-module-wmd-wmd-eurorack-expand-mixer-db25-mkii-591203.jpg?v=1715883482"},{"product_id":"pm-mkii-direct-outs-expansion-8-stereo-channels-pre-or-post","title":"PM MKII Direct Outs Expansion - 8 Stereo Channels Pre or Post","description":"\u003ch5\u003eNow Shipping!\u003c\/h5\u003e\n\u003ch5\u003eDirect Outs:\u003c\/h5\u003e\n\u003cp\u003eQuite simply, this module will connect via a 2mm ribbon cable to the PM MKII or Channels MKII, and will provide you with Pre or Post fader outs on 3.5mm jacks. \u003c\/p\u003e\n\u003cp\u003eChoose Pre or Post depending on which header you connect it to. \u003c\/p\u003e\n\u003cp\u003eModule does not require power. \u003c\/p\u003e\n\u003ch5\u003e\u003c!----\u003e\u003c\/h5\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":41469930700881,"sku":"062-0185","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/pm-mkii-direct-outs-expansion-8-stereo-channels-pre-or-post-module-wmd-wmd-mixer-pmmkii-6624189.jpg?v=1756977322"},{"product_id":"pm-mkii-returns-3-additional-aux-returns-for-pm-mkii","title":"PM MKII Returns - 3 Additional Aux Returns for PM MKII","description":"\u003ch5\u003eReturns:\u003c\/h5\u003e\n\u003cp\u003eDue to panel space limitations on the PM MKII, I couldn't include a bunch of Aux Returns. So I've made an expansion so that you have the choice to bring in returns simply to the mix bus. \u003c\/p\u003e\n\u003cp\u003eThis module is passive, it does not require power. It simply brings in a return into a pot, and sums it to either the main mix, which is before the Master Insert, or to the balanced outputs, where the MIX IN sums. A toggle switch selects between AUX RET and MIX IN.\u003c\/p\u003e\n\u003cp\u003eReturns works with Channels MKII also -- however, it only will sum to the Channels MKII's MIX out. Connecting a Returns to Channels MKII does not sum to the connected PM MKII's MIX IN or AUX RET busses. \u003c\/p\u003e\n\u003ch5\u003eImpedance:\u003c\/h5\u003e\n\u003cp\u003eThese inputs mix directly into the PM MKII summing nodes. To avoid complication and cost there is no impedance conversion on this module. The input impedance is ~5k\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eΩ, which is 20x lower than normal eurorack. What does this mean? Usually you won't notice because most modules have a low output impedance, but you might notice a lot of attenuation if your source module has an output attenuator that is not at 100%. It can throw off the perceived curves of some potentiometers. This won't be an issue for 95% of modules, and it will work with all WMD modules. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease note that a mono signal input on L will normal to R, and will see an impedance of 2.5k\u003cmeta charset=\"utf-8\"\u003eΩ. This will likely cause a good drop in voltage, so you will need to turn the pot up quite a bit. This is totally normal, just something to be aware of. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eConnection:\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eRETURNS connects with a single 8 pin 2.0mm ribbon cable. There is no possibility of messing up the connection because the headers are shrouded. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAlternate Panel:\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eTo ease the placement in your rack, I've designed an alternate panel that will allow the module to be mounted upside-down. All modules will ship with the alternate panel and reverse knobs. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003c!----\u003e\u003c\/h5\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":41470548344913,"sku":"062-0186","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/pm-mkii-returns-3-additional-aux-returns-for-pm-mkii-module-wmd-wmd-mixer-pmmkii-412612.jpg?v=1749233220"},{"product_id":"pm-db25-mkii-conversion-board-for-use-with-original-performance-mixer","title":"PM DB25 MKII Conversion Board for Use with Original Performance Mixer","description":"\u003cp\u003eFor use with original WMD Performance Mixer, this adapter board can be added onto the \u003ca rel=\"noopener\" title=\"DB25 MKII\" href=\"https:\/\/wmdevices.com\/products\/pm-db25-mkii\" target=\"_blank\"\u003eDB25MKII\u003c\/a\u003e. Please note that width behind panel is increased by 8mm when adapter board is added on. This may require some clever position in your case. The original Performance Mixer still only offers Pre Fader Outputs. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca rel=\"noopener\" title=\"DB25 MKII\" href=\"https:\/\/wmdevices.com\/products\/pm-db25-mkii\" target=\"_blank\"\u003eDB25MKII\u003c\/a\u003e is not included and must be purchased separately. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":41477117313105,"sku":"062-0184","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/pm-db25-mkii-conversion-board-for-use-with-original-performance-mixer-module-wmd-wmd-eurorack-expand-mixer-416786.jpg?v=1716712129"},{"product_id":"skorpion-waveform-reanimator","title":"Skorpion - Waveform Reanimator","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter five years of conceptualization, development, stress, company destruction and relocation, redesign, existential questions, prototyping, and willpower, WMD’s Skorpion is ready to decimate and reanimate whatever you throw at it -- \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003ecreating goosebump worthy sounds you’ve never heard before. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eI am doing a single run of Skorpion via preorder only. Once they're gone, they are gone. I'm doing this so that I can personally move on to the next great idea without my head being stuck marketing the last great idea. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSkorpion is the epitome of WMD's ethos, \"New Sounds, Maximum Experience\".  Painstakingly designed UI, all the CV I\/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character.  This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSkorpion builds on William’s long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSkorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on slider interface.  Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.  \u003cmeta charset=\"utf-8\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBe sure to follow us on Instagram and Youtube for more information! \u003c\/span\u003e\u003cspan\u003e @WMDevices. Youtube.com\/WMDevices.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5 dir=\"ltr\"\u003e\u003cstrong\u003eThe Controls\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003eSHAPE\u003c\/span\u003e and \u003cspan style=\"text-decoration: underline;\"\u003eSLOPE\u003c\/span\u003e controls allow for smoother or harsher added harmonics, and the \u003cspan style=\"text-decoration: underline;\"\u003e1V\/OCT CV\u003c\/span\u003e input is required for tracking timbre across notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFOLD\u003c\/span\u003e controls the input gain of the signal, causing it to hit each of the eight \u003cspan style=\"text-decoration: underline;\"\u003eTHRESHOLDS\u003c\/span\u003e causing a reversal in the output at each point. The signal can be driven towards one of three \u003cspan style=\"text-decoration: underline;\"\u003eTARGETs:\u003c\/span\u003e 5V, the Sliders, or the signal at the \u003cspan style=\"text-decoration: underline;\"\u003eCLIP\u003c\/span\u003e jack (normaled from \u003cspan style=\"text-decoration: underline;\"\u003eIN\u003c\/span\u003e).\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSLOPE\u003c\/span\u003e controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V\/OCT and \u003cspan style=\"text-decoration: underline;\"\u003eSHAPE\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSHIFT\u003c\/span\u003e is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSHAPE\u003c\/span\u003e is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOUTPUT\u003c\/span\u003e controls what's at the output jacks, the DRY signal (CCW), the WET signal (noon), or a stereo WIDE signal (CW). The crossfade curves are intended to bring in the harmonic content smoothly. The WIDE signal is generated using a mid-side filter matrix of Low Pass (always mid) and High Pass (delayed difference as side energy). \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDC \/ FILTERs\u003c\/span\u003e controls whether the LPF\/HPF is active in the Mid\/Side matrix. DC mode will delay all frequencies, and is fully DC coupled throughout. FILTERs forces frequencies below 240Hz to the mid, and frequencies above 240Hz that align through the delay to be at the MID, and frequencies above 240Hz that differ to be at the SIDE. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003eEQUALIZE THOLDs\u003c\/span\u003e switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack. \u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTARGET ORDER\u003c\/span\u003e determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSYNC\u003c\/span\u003e has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHALT IF TARG=0\u003c\/span\u003e makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down). \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDRY IF NO THLDs\u003c\/span\u003e forces the TARGET control to pass the dry input signal to the core if no thresholds are active. This allows Skorpion to always pass signal. FOLD and SHIFT affect the thresholds that are activated. Put SHIFT at NOON for best results. The SLOPE will still affect the signal flowing through. \u003c\/p\u003e\n\u003ch5 dir=\"ltr\"\u003e\u003cstrong\u003eANIMATION - Sliders, Spring Action Switch, and Macro Envelope: \u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp dir=\"ltr\"\u003eThere are 13 total internal modulation sources. A primary \u003cspan style=\"text-decoration: underline;\"\u003eMACRO ENVELOPE\u003c\/span\u003e, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe switch rests in the center, making the sliders control the \u003cspan style=\"text-decoration: underline;\"\u003eTHRESHOLDs\u003c\/span\u003e. When held to the left, the sliders set the \u003cspan style=\"text-decoration: underline;\"\u003eTARGETs.\u003c\/span\u003e When held to the right, the sliders control the \u003cspan style=\"text-decoration: underline;\"\u003eMACRO SETUP\u003c\/span\u003e detailed below. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003eMACRO ENVELOPE\u003c\/span\u003e is an Attack\/Sustain\/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. \u003cmeta charset=\"utf-8\"\u003eThe times for Attack and Release are controlled in the \u003cspan style=\"text-decoration: underline;\"\u003eMACRO SETUP\u003c\/span\u003e mode by the first two sliders. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003eMACRO ENVELOPE\u003c\/span\u003e modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMACRO SETUP:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eParameters are modified in \u003cspan style=\"text-decoration: underline;\"\u003eMACRO SETUP\u003c\/span\u003e by holding the switch to the right and moving respective sliders.\u003c\/p\u003e\n\u003col\u003e\n\u003cli dir=\"ltr\"\u003eMacro Envelope's Attack Time\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003eMacro Envelope's Release Time\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003eThreshold LFO Amount\u003c\/li\u003e\n\u003cli\u003eThreshold LFO Rates\u003c\/li\u003e\n\u003cli\u003eFold LFO\/ENV Rate\/Time - CV(5)\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eSlope LFO\/ENV Rate\/Time - CV(6)\u003c\/li\u003e\n\u003cli\u003eShift \u003cmeta charset=\"utf-8\"\u003eLFO\/ENV Rate\/Time - CV(7)\u003c\/li\u003e\n\u003cli\u003eShape \u003cmeta charset=\"utf-8\"\u003eLFO\/ENV Rate\/Time - CV(8)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eEnvelope Times are shortest at the bottom of the slider and longest at the top. \u003c\/p\u003e\n\u003cp\u003eLFO Rates are slowest at the bottom of the slider and fastest at the top. \u003c\/p\u003e\n\u003cp\u003eFold, Slope, Shift, and Shape modulation can be either an LFO or an Envelope. To change modes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eENV: Hit the bottom then the top within 0.5 seconds.\u003c\/li\u003e\n\u003cli\u003eLFO: Hit the top then the bottom within 0.5 seconds. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003eLFOs can be disabled by moving the slider to the bottom. Envelopes can not be disabled. \u003c\/p\u003e\n\u003ch5 dir=\"ltr\"\u003e\n\u003cstrong\u003eInput jacks not yet mentioned:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCLIP\u003c\/span\u003e this signal goes to the \u003cspan style=\"text-decoration: underline;\"\u003eTARGET\u003c\/span\u003e control, and is the destination voltage. Use another waveform here to overlay\/interleave something different than the input waveform. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRGT MOD\u003c\/span\u003e always modulates the \u003cspan style=\"text-decoration: underline;\"\u003eTARGET\u003c\/span\u003e regardless of the pot setting. The \u003cspan style=\"text-decoration: underline;\"\u003eSYM\u003c\/span\u003e switch controls whether the waveform is applied symmetrically or asymmetrically.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTHLDS\/\u003c\/span\u003e applies weighted CV to all \u003cspan style=\"text-decoration: underline;\"\u003eTHRESHOLDS\u003c\/span\u003e. Meaning the CV is 100% for THLD8, 50% for THLD7, 25% for THLD6, etc. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTHLD 1 \u003c\/span\u003eapplies CV just to \u003cspan style=\"text-decoration: underline;\"\u003eTHRESHOLD 1\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRGTs\u003c\/span\u003e applies CV to all \u003cspan style=\"text-decoration: underline;\"\u003eTARGETS\u003c\/span\u003e equally. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHALT\u003c\/span\u003e stops the vector core from changing voltage. It has a normal from the \u003cspan style=\"text-decoration: underline;\"\u003eHALT IF TARG=0\u003c\/span\u003e switch. \u003c\/p\u003e\n\u003ch5 dir=\"ltr\"\u003e\u003cstrong\u003eOutput jacks not yet mentioned:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eABS(IN)\u003c\/span\u003e is a full wave rectifier, outputting the positive only version of the \u003cspan style=\"text-decoration: underline;\"\u003eIN\u003c\/span\u003e signal.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eG(IN\u0026gt;0)\u003c\/span\u003e outputs a gate if the input signal is positive.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTRGTs\u003c\/span\u003e outputs the chosen \u003cspan style=\"text-decoration: underline;\"\u003eTARGET\u003c\/span\u003e from the sliders.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDIFF\u003c\/span\u003e outputs the vector core's difference between target and current voltage.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e+-G(DIR)\u003c\/span\u003e outputs a +5V signal if the vector core is going positive, and a -5V signal if the core is going negative.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCOUNT\/\u003c\/span\u003e outputs a staircase waveform of the number of active \u003cspan style=\"text-decoration: underline;\"\u003eTHRESHOLDS\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDAC\u003c\/span\u003e outputs a weighted staircase (R2R network) of the number of active \u003cspan style=\"text-decoration: underline;\"\u003eTHRESHOLDS\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDELAY\u003c\/span\u003e is a raw output of the delayed vector core\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eOUT L\u003c\/span\u003e and \u003cspan style=\"text-decoration: underline;\"\u003eOUT R\u003c\/span\u003e are stereo main outputs.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Black","offer_id":42426982137937,"sku":"062-0204","price":999.0,"currency_code":"USD","in_stock":false},{"title":"Silver","offer_id":42426982170705,"sku":"062-0223","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/skorpion-waveform-reanimator-module-wmd-wmd-eurorack-wavefolder-black-9802187.jpg?v=1758035811"},{"product_id":"cosmic-debris","title":"Cosmic Debris","description":"\u003ch3 data-end=\"220\" data-start=\"162\"\u003eA collaboration born in the Denver modular community\u003c\/h3\u003e\n\u003cp data-end=\"528\" data-start=\"222\"\u003e\u003cstrong\u003eCosmic Debris\u003c\/strong\u003e began as a design by \u003ca href=\"https:\/\/www.infrasonicaudio.com\/\"\u003eNick Donaldson of Infrasonic Audio,\u003c\/a\u003e a fellow Denver modular enthusiast we met through our monthly Freq Boutique gatherings. Nick approached WMD for advice on manufacturing, and as soon as we heard the sounds he was creating, we knew there was something special.\u003c\/p\u003e\n\u003cp data-end=\"972\" data-start=\"530\"\u003eFrom there, the collaboration took off. We worked closely with Nick to refine the design, bringing in ideas to expand the feature set, streamline performance controls, and ensure the module would be rock-solid for production. The process has been as rewarding as the results: not only has Cosmic Debris grown into a truly versatile delay and reverb processor, but we’ve had the joy of building a deeper friendship through the design journey.\u003c\/p\u003e\n\u003cp data-end=\"1349\" data-start=\"1035\"\u003e\u003cstrong\u003eCosmic Debris \u003c\/strong\u003eis a powerful delay and reverb engine built for modular explorers who want more than just echoes. With 16 interactive delay lines, multiple performance modes, and a design tuned for live use, Cosmic Debris can move from precise rhythmic repeats to infinite atmospheric washes in an instant.\u003c\/p\u003e\n\u003cp data-end=\"1753\" data-start=\"1351\"\u003eAt the core, \u003cstrong\u003eSpray\u003c\/strong\u003e transforms traditional delay taps into massive ambient reverbs, while Scatter reshapes the feedback paths and interactions between lines to create ever-changing textures. \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTime\u003c\/strong\u003e and it's shift function \u003cstrong\u003eSLEW\u003c\/strong\u003e take traditional modulation and flip it on its head with huge risers, crossfading delay time changes, and hands on control over the energy of the sound caught in the buffers. \u003c\/p\u003e\n\u003cp data-end=\"1753\" data-start=\"1351\"\u003eA built-in\u003cstrong\u003e band-pass filter l\u003c\/strong\u003eets you carve space in the mix or push the signal into motion with CV modulation.\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cstrong\u003eCosmic Debris \u003c\/strong\u003eis designed with performance at its heart. \u003cstrong\u003eBlast\u003c\/strong\u003e delivers a momentary boost into the delay input as well as 100% send level (in send mode) for explosive bursts of sound with natural tails, while \u003cstrong\u003eSend Mode \u003c\/strong\u003eturns the \u003cstrong\u003eMix\u003c\/strong\u003e control into a CV-controllable send\/return level, perfect for insert-style processing. \u003c\/p\u003e\n\u003cp data-end=\"2276\" data-start=\"1755\"\u003eFlexible sync options include \u003cstrong\u003eclock input, tap tempo, or free-running mode, \u003c\/strong\u003ekeeping you locked in rhythm or drifting into uncharted time. A dedicated Freeze function captures audio into a timeless loop, letting you hold textures indefinitely.\u003c\/p\u003e\n\u003cp data-end=\"2580\" data-start=\"2278\"\u003eThree unique processing modes, \u003cstrong\u003eBlur, Ratio, and Warp, \u003c\/strong\u003eexpand the palette even further, from smearing reverbs to pitch-shifted delays. Combined with its intuitive interface and deep modulation capabilities, Cosmic Debris is equally at home in a live performance rack or a studio sound-design system.\u003c\/p\u003e\n\u003cp data-end=\"2580\" data-start=\"2278\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":42911297470545,"sku":"062-0206","price":549.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/cosmic-debris-module-wmd-wmd-4122372.png?v=1776175867"},{"product_id":"clutch","title":"Clutch","description":"\u003ch2 data-start=\"411\" data-end=\"471\"\u003eFinally, the Hi Hat of Our Collective Dreams is Reality\u003c\/h2\u003e\n\u003cp data-start=\"473\" data-end=\"765\"\u003eThe long-awaited \u003cstrong data-start=\"490\" data-end=\"500\"\u003eClutch\u003c\/strong\u003e module is a dual sample player built specifically for creating dynamic, expressive hi-hat sounds through an immediately playable interface. \u003c\/p\u003e\n\u003cp data-start=\"767\" data-end=\"1074\"\u003eWith two layers of samples, Clutch lets you blend dependable “bread-and-butter” built in hits with a massive library of sample pairs hosted on a memory card. The controls for the card based samples are always accessible and intuitively arranged, making it easy to dial in sounds quickly during performance or patching. And yes, you can load your own samples!\u003c\/p\u003e\n\u003cp data-start=\"1076\" data-end=\"1400\"\u003eThe second layer lives on assignable knobs and is intentionally inaccessible via CV. This ensures that no matter how wild your modulation or sound design gets on layer A, whether from hands-on tweaking or external CV, layer B is ready for the breakdown. It’s your steady, set-and-forget foundation that keeps the groove anchored.\u003c\/p\u003e\n\u003cp data-start=\"1402\" data-end=\"1626\"\u003eA \u003cstrong data-start=\"1404\" data-end=\"1418\"\u003eCV Disable\u003c\/strong\u003e switch lets you instantly cut modulation, snapping back to the sound defined by your current knob positions. Perfect for live sets, quick resets, or moments when you just want to return to that sweet spot. \u003c\/p\u003e\n\u003cp data-start=\"1628\" data-end=\"1844\"\u003eOnboard effects and a \u003cstrong data-start=\"1650\" data-end=\"1685\"\u003eChimera-inspired “Feel” control\u003c\/strong\u003e take Clutch beyond static sample playback, letting you control the groove, add movement, character, and dynamics to every hit.\u003c\/p\u003e\n\u003cp data-start=\"1628\" data-end=\"1844\"\u003eClutch cuts through the noise with pure sound and unmatched versatility thanks to it's sample based architecture while it's intuitive interface keeps your performance at your fingertips. \u003c\/p\u003e\n\u003cp data-start=\"1846\" data-end=\"1988\"\u003e\u003cstrong data-start=\"1846\" data-end=\"1986\"\u003eIn this house, there is rhythm, there is swing. In this house, there is Clutch. \u003c\/strong\u003e\u003cstrong data-start=\"1846\" data-end=\"1986\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1846\" data-end=\"1988\"\u003e\u003cstrong data-start=\"1846\" data-end=\"1986\"\u003eCheck out the editor \u003ca href=\"https:\/\/cpr2323.github.io\/clutchedit\/index.html\"\u003eClutchEdit \u003c\/a\u003efrom Om Ohm productions!\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 data-end=\"262\" data-start=\"247\"\u003eThe Controls\u003c\/h2\u003e\n\u003ch3 data-end=\"279\" data-start=\"264\"\u003eSurface A\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-end=\"534\" data-start=\"280\"\u003e\n\u003cstrong data-end=\"293\" data-start=\"280\"\u003eSURFACE A\u003c\/strong\u003e – Selects which sample will play on Surface A. Sampled on Trigger. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong data-end=\"415\" data-start=\"404\"\u003ePITCH A\u003c\/strong\u003e – Direct pitch control for Surface A sounds only. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"570\" data-start=\"541\"\u003eGlobal \u0026amp; Layer Controls\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli data-end=\"700\" data-start=\"571\"\u003e\n\u003cstrong data-end=\"582\" data-start=\"571\"\u003eRELEASE\u003c\/strong\u003e – Global release control for both open and closed sounds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong data-end=\"709\" data-start=\"702\"\u003eA\/B\u003c\/strong\u003e – Crossfades between Surface A and Surface B sounds. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"851\" data-start=\"832\"\u003eMultifunction Controls \u0026amp; Mode Switches\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong data-end=\"877\" data-start=\"852\"\u003eBALANCE \/ RELEASE OFFSET \/ HPF\u003c\/strong\u003e – Determines the function of the knob below.\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-end=\"937\" data-start=\"930\"\u003eBAL\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e – Adjusts volume balance between closed and open sounds.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong data-end=\"1012\" data-start=\"999\"\u003eR. OFFSET\u003c\/strong\u003e – Shortens the closed sound relative to the open sound.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong data-end=\"1080\" data-start=\"1073\"\u003eHPF\u003c\/strong\u003e – High-pass filter on the output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong data-end=\"1142\" data-start=\"1118\"\u003eSURFACE B \/ PITCH B \/ LPF\u003c\/strong\u003e – Determines the function of the knob below.\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong data-end=\"1203\" data-start=\"1195\"\u003eSRFB\u003c\/strong\u003e – Sample select for Surface B sounds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong data-end=\"1257\" data-start=\"1246\"\u003ePITCH B\u003c\/strong\u003e – Pitch control for Surface B sounds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong data-end=\"1307\" data-start=\"1300\"\u003eLPF\u003c\/strong\u003e – Low-pass filter on the output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-end=\"1372\" data-start=\"1349\"\u003eBank \u0026amp; FX Control\u003c\/h3\u003e\n\u003cp data-end=\"1691\" data-start=\"1373\"\u003e\u003cb\u003eBANK BUTTON \u003c\/b\u003e– Tap to switch between 8 banks of samples stored on the SD card (Surface A sounds). The LED color corresponds to the folder name on the SD card. Hold this button to enter \u003cem\u003eFX Mode. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"1691\" data-start=\"1373\"\u003e\u003cem\u003eIn FX Mode, the bottom two knobs control the two FX parameters. The LED flashes to indicate FX Mode is active, showing the color of the selected effect. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"1760\" data-start=\"1693\"\u003e\u003cstrong data-end=\"1723\" data-start=\"1693\"\u003eACCENT \/ FEEL \/ FX SWITCH\u003c\/strong\u003e – Three-way, spring-loaded switch.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-end=\"1801\" data-start=\"1763\"\u003eHold left to change accent behavior.\u003c\/li\u003e\n\u003cli data-end=\"1801\" data-start=\"1763\"\u003eHold right to toggle the FEEL function.\u003c\/li\u003e\n\u003cli data-end=\"1801\" data-start=\"1763\"\u003eTap left or right to change the FEEL sequence.\u003c\/li\u003e\n\u003cli style=\"font-style: italic;\" data-end=\"1801\" data-start=\"1763\"\u003e\u003cem\u003eWhen FX Mode is active, tap left or right to select different effects.\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-end=\"1997\" data-start=\"1989\"\u003eJacks \u003cstrong data-end=\"2007\" data-start=\"1999\"\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003e\n\u003cstrong data-end=\"2007\" data-start=\"1999\"\u003eCLSD\u003c\/strong\u003e – Trigger input for closed hi-hat sounds.\u003c\/li\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003e\n\u003cstrong data-end=\"2060\" data-start=\"2052\"\u003eOPEN\u003c\/strong\u003e – Trigger input for open hi-hat sounds.\n\u003cul\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003eTrigger both simultaneously for an accented hit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003e\n\u003cstrong data-end=\"2162\" data-start=\"2153\"\u003eCHOKE\u003c\/strong\u003e – Stops sound at the output with a quick envelope.\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003e\n\u003cstrong data-end=\"2007\" data-start=\"1999\"\u003ePITCH A\u003c\/strong\u003e - CV sums with Pitch A control.\u003c\/li\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003e\n\u003cstrong data-end=\"2007\" data-start=\"1999\"\u003eA\/B\u003c\/strong\u003e - CV sums with A\/B control.\u003c\/li\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003e\n\u003cstrong data-end=\"2007\" data-start=\"1999\"\u003eSRF A\u003c\/strong\u003e - CV sums with Surface A control.\u003c\/li\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003e\n\u003cstrong data-end=\"2007\" data-start=\"1999\"\u003eRELEASE\u003c\/strong\u003e - CV sums with Release control.\u003c\/li\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003e\n\u003cstrong data-end=\"2228\" data-start=\"2216\"\u003eVELOCITY\u003c\/strong\u003e – CV input for global velocity control of open and closed sounds.\u003c\/li\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003e\n\u003cstrong data-end=\"2307\" data-start=\"2297\"\u003eFX PRM\u003c\/strong\u003e – CV input for FX parameter control.\u003c\/li\u003e\n\u003cli data-end=\"2151\" data-start=\"1999\"\u003e\n\u003cstrong data-end=\"2355\" data-start=\"2348\"\u003eOUT\u003c\/strong\u003e – Final mono output of all sounds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSo much more...\u003c\/h2\u003e\n\u003cp\u003eEdit the HIHAT.INI file on the memory card for adjusting all kinds of parameters for Clutch. If you have any questions, please submit a support ticket on our contact page. The point of the HIHAT.INI file is to tune Clutch to how you want to use it. Modification is not necessary for a great experience, but there are a lot of simple settings that may be interesting to your workflow.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGate \/ Trigger Mode\u003c\/li\u003e\n\u003cli\u003eMax Release Envelope Tuning\u003c\/li\u003e\n\u003cli\u003ePitch Knob Range\u003c\/li\u003e\n\u003cli\u003eIndependent Release for Closed Envelope\u003c\/li\u003e\n\u003cli\u003eFeel Modifier scale settings\u003c\/li\u003e\n\u003cli\u003ePositional Takeup or Wiggle for the two soft knobs. \u003c\/li\u003e\n\u003cli\u003eLPF\/HPF frequency min, max, and resonance\u003c\/li\u003e\n\u003cli\u003eFX customization - lots of parameters\u003c\/li\u003e\n\u003cli\u003eCustomize Feel Patterns and Colors 1 - 32 steps\u003c\/li\u003e\n\u003cli\u003eCustomize Effects Assignment and Colors\u003c\/li\u003e\n\u003cli\u003eColors are customizable (can be removed) to help with Colorblindness clarity\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":58264114561105,"sku":"062-0205","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/clutch-module-wmd-wmd-drums-eurorack-module-3560452.jpg?v=1763993313"},{"product_id":"modbox-mkii","title":"Modbox MKII","description":"\u003cp dir=\"ltr\"\u003eModulation is what separates a patch that sits there from one that breathes. Modbox MKII gives you two serious LFOs, a digital sample \u0026amp; hold, and an analog noise source in one module, all of it locked to your clock. The Three Phase LFO puts out three related waves at once for movement that stays musical instead of drifting apart. The Skew LFO morphs shape and curve on the fly. The S\u0026amp;H does straight sampling, track \u0026amp; hold, or Turing Machine style looping when you want patterns that evolve on their own. Everything tracks 1V\/oct and runs to audio rate, so the same tools that modulate your patch can play it. \u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eThe Sequel to a Workhorse\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eThe original WMD\/SSF Modbox earned its spot in systems of every size and has been hard to find for years. MKII keeps the spirit and adds the depth people kept asking for: more density, smarter sync, and the phase tricks from our Phase Displacement Oscillator built into a utility you can afford to put in every case.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eThree Phase LFO (3ɸ)\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eThree outputs that relate to each other three different ways, selected with MODE.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003ePhase Offset (ɸΔ).\u003c\/strong\u003e All three outs share one frequency, and SPREAD shifts OUT2 and OUT3 in opposite directions across a full 360°. Instant stereo-feeling movement from a single source.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003ePhase Modulation (ɸMOD).\u003c\/strong\u003e Cascading phase distortion. OUT1 modulates OUT2, which modulates OUT3, with SPREAD setting the depth. This is where the lush, unpredictable shapes live.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFrequency Spread (𝑓Δ).\u003c\/strong\u003e Start with all three in unison, then open SPREAD to push OUT2 up to 8x and pull OUT3 down to 1\/8x, smoothly. One knob takes you from locked to wildly polyrhythmic.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFREQ\u003c\/strong\u003e sets base frequency, or becomes the ratio to your incoming clock when synced. \u003cstrong\u003eWAVE\u003c\/strong\u003e morphs every output through saw, sine, triangle, and ramp. Hold \u003cstrong\u003eSHIFT\u003c\/strong\u003e and FREQ becomes LVL for overall output level, while the \u003cstrong\u003eRTO\u003c\/strong\u003e pots set independent frequency ratios for OUT2 and OUT3 that apply across all three modes. Tracks 1V\/oct and runs to audio rate.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eSkew LFO\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eA variable-skew LFO that morphs saw to triangle to ramp, syncs to clock, and resets intelligently.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSLOPE\u003c\/strong\u003e handles the morph. Hold \u003cstrong\u003eSHIFT\u003c\/strong\u003e and SLOPE becomes SHAPE, bending the curve from exponential through linear to logarithmic without touching the frequency, so you can dial in the feel of a swell separately from its timing. \u003cstrong\u003eFREQ\u003c\/strong\u003e becomes PHASE under SHIFT, setting its relationship to incoming clock and reset pulses for modulation that lands exactly where you want it. Tracks 1V\/oct and runs to audio rate.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eSample \u0026amp; Hold\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eDigital, so the droop is gone. Press MODE to cycle three behaviors.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eS\u0026amp;H.\u003c\/strong\u003e Captures whatever is at S\u0026amp;H IN on a rising edge of SMPL, gate or button, and holds it until the next event.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eT\u0026amp;H.\u003c\/strong\u003e Track and hold. The signal passes while SMPL is high and freezes when it drops.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTuring Machine.\u003c\/strong\u003e A buffer holds a loop of samples for patterns that evolve slowly instead of jumping randomly. SLEW becomes PROB: centered, every SMPL event grabs a fresh sample. Turn clockwise and a loop forms, changing less and less until it locks. Turn fully counterclockwise and that same loop plays in reverse. Hold SHIFT and PROB sets loop length from 1 to 32 samples.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eS\u0026amp;H IN is normaled to the analog noise source, and the Skew LFO generates a pulse normaled to SMPL, so you get usable random voltage with nothing patched. Using that normal, T\u0026amp;H tracks while the Skew LFO descends.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eClock and Reset\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eModbox is built to play in time. CLOCK and RESET work with either LFO or both. Tap the CLOCK\/RESET button to cycle reset modes, hold it to cycle clock modes. When synced, the rate pots give you divisions from 1:512 to 4:1 in factors of two. Pull the clock and the LFO holds its synced rate, with the pot dividing from that last tempo until you change modes.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eAnalog Noise\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eA true analog white noise generator, factory calibrated to roughly 14Vpp. It drives the S\u0026amp;H by default or goes wherever you need it.\u003c\/p\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":59437097713745,"sku":"062-0207","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/modbox-mkii-module-wmd-wmd-eurorack-oscillator-utility-7514587.jpg?v=1778081724"},{"product_id":"channel-surfer","title":"CHNL SRFR (Channel Surfer)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eChannel Surfer (CHNL SRFR) is a 4HP eurorack channel strip module (EQ, Filter, Ducking, DJ Effects) for use with individual voices, submixes, or full program material. It can be used in mono or stereo and can be connected to the Performance Mixer MkII Insert header with a ribbon cable for seamless integration, or to the front jacks for independent use. \u003c\/p\u003e\n\u003ch5 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThree modules in one\u003c\/h5\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAt the top of the module, a three-way switch lets you choose between three sets of controls, combining three processors into a compact 4HP package. The shift button doubles the number of controls, giving you access to the more 'set and forget' parameters.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eEQ: \u003c\/strong\u003eWith the switch to the left, you have direct control over a 3-band parametric EQ with boost and cut. The shift functions let you sweep the frequency of each band to shape the incoming signal to your liking.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eFILTER: \u003c\/strong\u003eWith the switch in the center, you have access to the filter section, which includes a low pass filter, high pass filter, and filter drive. Use these to add character to a sound, fit a busy signal into the mix, or create movement and dynamics through filtering.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eEFFECTS + DUCKER: \u003c\/strong\u003eWith the switch to the right, the interface controls the effects section and sidechain ducker. Add performance effects like dub delay, chorus, flanger, reverb, and more. Mult your kick or any other signal into the SC input to duck the signal running through the Channel Surfer with a fixed, no-click attack, and control the amount of ducking with the lower knob. Its shift control sets the release envelope.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAll three sections of the module are active at all times but can be made transparent. The signal path can be bypassed with the I\/O button. The signal path is serial, starting at the EQ, then running through the filters, FX, and finally the ducker. \u003c\/p\u003e\n\u003ch4 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eVisual feedback, extended control\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eChannel Surfer has an intuitive layout and interface. The LEDs match the color of the labels on the panel, reminding you which set of controls you are currently using. The LED bar on the right acts as an overall VU meter, and switches to display the value of whichever knob is currently being turned. An assignable CV input adds further movement or external control, providing instant access to a parameter at any time regardless of where the interface switch is set. \u003c\/p\u003e\n\u003ch4 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBuilt for live performance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThree sets of controls keep the module compact while exposing only what you need to tweak live and in the moment, letting you save space in your system by replacing multiple modules dedicated to mixing and processing. For example, set the EQ, dial in the ducker, add effects, and leave the switch in the filter section for hands-on tone shaping.\u003c\/p\u003e\n\u003ch4 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePresets\u003c\/h4\u003e\n\u003cp\u003eSave and recall settings to any of nine slots. Settings can be morphed through with CV. \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eBUTTONS AND SWITCHES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eI\/O: Bypasses all sections of the module\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eFX SEL\u003c\/em\u003e: Changes the current effect. \u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePRESET: 9 user settable \/ recallable presets. \u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eSHIFT\u003c\/em\u003e: Hold and press buttons or turn knobs for shift functionality.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEQ, FILT, FX: Switches between the three sets of controls.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003e3 BAND EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHIGH: Level control for the high band\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eFREQ\u003c\/em\u003e: Frequency control for the high band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMID: Level control for the mid band\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eFREQ\u003c\/em\u003e: Frequency control for the mid band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLOW: Level control for the low band\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eFREQ\u003c\/em\u003e: Frequency control for the low band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eFILTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLPF: Cutoff frequency for the low pass filter\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eRES\u003c\/em\u003e: Resonance control for the low pass filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDRIVE: Amount of filter drive\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eBOOST\u003c\/em\u003e: Adds gain to the drive control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eDUCK: Dedicated sidechain input for the ducker section\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCV: Assignable CV input\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIN L \/ IN R: Stereo input\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOUT L \/ OUT R: Stereo output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":59464562671697,"sku":"062-0209","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/chnl-srfr-channel-surfer-module-wmd-wmd-delay-distortion-filter-6205560.jpg?v=1778164875"},{"product_id":"bus-rider","title":"Bus Rider","description":"\u003cp\u003eBus Rider is a \u003cmeta charset=\"utf-8\"\u003estereo multiband EQ\/dynamics processor + lookahead limiter designed for on the fly mastering at the end of your signal chain. It's also useful for submix and individual channel processing. The Isolator EQ is a great performance tool beyond fitting your mix to the room\/sound system you are playing on. \u003c\/p\u003e\n\u003ch5\u003eEQ, multiband compression, and limiting, all in one module\u003c\/h5\u003e\n\u003cp\u003eAt the top of the module, a \u003cspan style=\"text-decoration: underline;\"\u003ethree way toggle switch\u003c\/span\u003e lets you choose between pages of controls. The \u003cem\u003eSHIFT \u003c\/em\u003ebutton gives access to secondary functions, allowing you to change the \"set and forget\" set of features with ease.   \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eISO: \u003c\/strong\u003eThe left position gives you control of 3 band isolator eq with +12dB boost and total cut (-∞)  for each band. The shift functions let you change the low and high band crossover points.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDYN: \u003c\/strong\u003eThe center position enables the interface for the multiband compressor with controls for threshold and ratio on each band. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLIMIT:\u003c\/strong\u003e With the switch to the right, the interface is in control over a lookahead limiter with controls for input gain, ceiling, release time, and saturation. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003eCompact interface with thoughtful design\u003c\/h5\u003e\n\u003cp\u003eBus Rider has an intuitive layout and interface. The LEDs will match the color of the labels on the panel, reminding you which set of controls you are currently using. \u003cmeta charset=\"utf-8\"\u003eThe LED bar on the right acts as an overall VU meter, showing gain reduction in the limiter section, and switches to display the value of whichever knob is currently being turned.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAll sections of the module are active at all times, each can be made inactive by setting the knobs appropriately. The entire module can be bypassed with the I\/O button. The module's audio signal path begins at the crossovers, then runs through the multiband compressor, eq, and is recombined before going into the lookahead limiter. \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv class=\"group relative relative pb-3\"\u003e\n\u003ch2 class=\"sr-only\"\u003eThe User Interface\u003c\/h2\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 standard-markdown\"\u003e\n\u003ch6 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eBUTTONS AND SWITCHES\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eI\/O: Bypasses all sections of the module\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eLINK :\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eLinks the limiter's detectors, driving both channels from the left input so they limit together and hold the stereo image. Unlinked, each side limits on its own signa. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003ePRESET: 9 user settable \/ recallable presets. \u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eSHIFT\u003c\/em\u003e: Hold and press buttons or turn knobs for shift functionality.\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEQ, DYN, LIMIT: Switches between the three pages of controls.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eISO EQ\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHIGH: Level control for the high band\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eXOVER\u003c\/em\u003e: Crossover frequency for the high band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMID: Level control for the mid band\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLOW: Level control for the low band\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eXOVER\u003c\/em\u003e: Crossover frequency for the low band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDYN\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eH: THLD: Threshold control for the high band\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eRATIO\u003c\/em\u003e: Ratio control for the high band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eM: THLD: Threshold control for the mid band\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eRATIO\u003c\/em\u003e: Ratio control for the mid band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eL: THLD: Threshold control for the low band\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eRATIO\u003c\/em\u003e: Ratio control for the low band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eLIMIT\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eGAIN: Input gain to push your signal into the limiter ceiling\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eCEIL\u003c\/em\u003e: Adjusts the limiter ceiling\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eRELEASE: Adjusts the release time for the limiter. Attack time is determined by the lookahead buffer (1.5 ms).\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eLINK: \u003c\/em\u003eStereo Linking on or off for the detector. \u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSAT: Adjusts the input gain into the saturation (mid-high bands only) \n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\n\u003cem\u003eL SAT:\u003c\/em\u003e Adds the low band information into the saturator\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6 class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLOW CUT: CV input over the low band ISO EQ level to cut the lows\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCV: Assignable CV input\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIN L \/ IN R: Stereo input\u003c\/li\u003e\n\u003cli class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eOUT L \/ OUT R: Stereo output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":59464894906449,"sku":"062-0208","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/files\/bus-rider-module-wmd-wmd-compressor-filter-module-2723506.jpg?v=1787942346"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0977\/3366\/collections\/all-modules-128280.jpg?v=1752263674","url":"https:\/\/wmdevices.com\/collections\/all-modules\/envelope.oembed","provider":"WMD","version":"1.0","type":"link"}